Sunday, December 27, 2015

AYAA to the Rescue: Jobs in Theatre: Pre-production (1/3)

Hey there, everyone! As the Christmas season comes to a close, I thought it was time for me to do another post about theatre education. Earlier in the year, I did a few posts on education, including a quiz about what theatre major to choose in college, out-of-state schools for theatre, and why it is important to participate in youth theatre.

Today, I wanted to do a post about the diverse theatre personnel. A lot of time when people think about theatre, their minds immediately jump to actors, director, producers, costume designers, etc. Obviously, those jobs are extremely important, but there are other jobs in theatre are essential to the creation of a successful show.

Today, we will be focusing on pre-production. Next week will be production and the following week, theatre staff:


  • Theatrical producer - oversees all the aspects of mounting a production. Manages finances and other managerial functions, raises or provides money to back the performance, and helps hire the creative personnel. 
    • Although some colleges do offer BFAs for Theatrical Production that teach skills like finances, many producers may major in business, economics or arts management. Even though the producers are working in theatre, their business sense supersedes their creative sense in many instances.
  • Director - orchestrates the creative aspects of the production. Unifies all the various creative aspects, such as acting, music, costumes, lights, etc. Helps to realize the artistic vision of the piece. Collaborates with the team of technicians, stage managers, and actors.
    • A handful of colleges offer BFAs in Directing, but it becomes more readily available as a degree in the Masters and Doctorate programs.
  • Playwright - the person who write the piece
    • Some colleges offer degrees in playwriting. Often times, the programs are combined with screenwriting.
  • Scenic designer - designs the scenery for the production. Aim to draw the audience in with the visual environment.
    • Colleges tend to not offer degrees specifically in "scenic design" but offer broader BAs or BFAs in technical theatre or theatre design. They sometimes fall under theatre production degrees.
      • Sometimes referred to as a "set designer"
  • Lighting designer - Works with the other technicians and the director. Aims to design lighting that will enhance the atmosphere of the play. Also coordinates technology needed with the stage managers.
    • Similar to scenic design
  • Costume designer - person who creates the costumes for the theatrical production. Helps to create the characters' images and create balance on stage. Works with the other technicians, includes wig and make up designers. 
    • Similar to scenic design, but colleges often offer fashion programs which would also be well suited to a person gaining costuming skills. 
  • Sound designer - generates and orchestrates auditory elements of a theatrical production. Usually requires the manipulation of previously generated audio to create or enhance the mood of the piece.
    • Similar to scenic design, but sound programs at schools with large film programs can be more common
  • Property master - in charge of purchasing, creating or building any props needed for the production. Collaborates with other technicians and the stage manager. Seeks to achieve set continuity (along with the scenic designer). Develops their design during pre-production, but also stays on as a part of the production crew.
    • It is highly unlikely a school will offer a program specifically in property mastery/design. However, a technical theatre degree suffices for this job. They really need good organizational skills.
  • Production manager - responsible for making the vision of the director and choreographer come true within the technical restraints of the theatre/budget. Coordinates all the technicians.
    • A job highly versed in organization. Good to have a degree in technical theatre, theatre production or arts management. However, they also must have a good business and financial sense.
  • Technical director - someone within the theatre who makes sure all the technical equipment is functional for a production. Responsible for overall organization of the technical aspects and making sure all tech components run smoothly.
    • Similar to production manager, but very versed in technical theatre; should know about all aspects of technical theatre, considered an expert. 
  • Show control designer - links together all of the technical operating systems (lights, sound, etc.) Coordinates all technical elements of the show with the given technology. Links together sound, visual and light cues. 
  • Choreographer - designers to movement of the actors, usually in a dance setting. Very conscious of the overall aesthetic of the theatrical piece and enhances the atmosphere through human movement.
    • Ingrained in dance, so a dance degree would be helpful here. Some colleges are starting to offer BFAs specifically for choreography for the stage and screen.
  • Makeup designer - person who designs the make up for the theatrical production. Helps to create the characters' images and create balance on stage. Works closely with the hair and costume designers.
    •  Similar to scenic design. However, make up design -- like costume design -- is very specific and although degree programs don't really exist for it, technical programs do, so training in one of these stage makeup programs although not necessarily required is incredibly useful.
  • Actor/actress - portrays the characters created by the playwright. Interprets the role, keeping true to the vision of the director. 
    • Many colleges offer BFAs in Acting, but a large percentage of general Theatre BAs have acting concentrations as well.
      • It is important for actors to understand the technical positions as well.

Thank you for reading and learning! Tune in next week for a list of theatre jobs directly involved in show time!

Please e-mail mackenna.azyoungactors@gmail.com with any questions, comments, or concerns! :) 

Friday, December 25, 2015

AYAA List: Broadway Christmas Songs!

Hey, everyone!

Hope you're having a happy Christmas! (And if you don't celebrate, hope you have a wonderful winter day!)

I absolutely adore Christmastime and although I am not the biggest Christmas music person, I know a lot of folks out there are. So today, I have a list of some of my favorite Christmas songs from musicals! You can find a link to all of these songs AND I've created a Spotify playlist with all of the songs below.

NOTE: If you're looking for a good album of Broadway songs on Spotify, for the past 17 years, the Broadway Cares/Equity Fights AIDS foundation has released a Carols For a Cure album, featuring songs sung by Broadway casts of the hottest current musicals. This year's album includes songs by the casts of Beautiful, Hamilton, Finding Neverland, Matilda, and Fun Home. (The Fun Home song is my personal favorite!) I have included quite a few of the Carols for a Cure songs on my playlist, but be sure to check out the whole thing.


  1. "We Need a Little Christmas" from Mame
  2. "Snow" from White Christmas
  3. "Surbaya Santa" from Songs from a New World
  4. "Have Yourself a Merry Little Christmas" from Meet Me In St. Louis
  5. "Twelve Days of Christmas" from She Loves Me
  6. "Christmas Is My Favorite Time of Year" from Catch Me If You Can
  7. "Turkey Lurkey Time" from Promises, Promises
  8. "Christmas Bells" from Rent
  9. "There is a Santa Claus" from Elf
  10. "Christmas Song" from Elf
  11. "Sparklejollytwinklejingly" from Elf
  12. "A Place Called Home" from A Christmas Carol (Menken)
  13. "Ralphie to the Rescue" from A Christmas Story: the Musical
  14. "A Christmas Story" from A Christmas Story: the Musical
  15. "White Christmas" from White Christmas
  16. "A New Deal for Christmas" from Annie
  17. "Christmas Lullaby" from Songs for a New World
  18. "Christmas Day" from Promises, Promises
  19. "Be a Santa" from Subways Are for Sleeping
  20. "Counting Down to Christmas" from A Christmas Story: the Musical
  21. "Our Finest Dreams" from Little Women
  22. "Merry Christmas, Maggie Thatcher" from Billy Elliot
  23. "Christmas Makes Me Cry" from Brooklyn
  24. "Silent Night" by the Broadway Cast of Smokey Joe's Cafe
  25. "Joy to the World" by the Broadway Cast of Hamilton
  26. "Home's With You" by the Broadway Cast of Fun Home 
  27. "Deck the Halls, It's Christmas/Come Home to Me" by the Broadway Cast of Motown, the Musical
  28. "What Child Is This?" by the Broadway Cast of Spring Awakening
  29. "Carol of the Boots" by the Broadway Cast of Kinky Boots
  30. "12 Days of a Something Rotten Christmas" by the Broadway Cast of Something Rotten!
  31. "Carol for the Bells" by the Broadway Cast of Wicked


Also, if you want to find the playlist on Spotify, it is called "Merry Christmas from Broadway!" *I couldn't get the widget to work

What's your favorite Christmas musical? I'm partial to Elf. 


Have a very merry Christmas!

Kenna

Monday, December 21, 2015

End of Year Interview Snapshots

Hello, everyone!

Long time, no talk! Starting at the end of October, life became really hectic for me between doing a play at school, rehearsing for Elf Jr. at Actor's Youth Theatre (which was super awesome if you didn't get the chance to see it), finals, college applications, work, making sure I actually eat something, etc. That being said, the site moved to a lower spot on my priority list for awhile. However, I am now in the neighborhood of 85% of the way done with the process of applying for college and on a break from school, so I will have much more time to update the site over these next few weeks (and hopefully months once school starts back up again!)

In any case, over the past five months, I have contacted many students about interviews for the site. In a few instances, the interview didn't come completely to fruition, but they did take the time to answer my questions. However, I still want to give recognition to these awesome teenagers, so I am cleaning out the coffers! So here are some "snapshot" interviews with Jessie Jo Pauley, Adyson Nichols, Joey J Grado, Kale Burr and Marty Loehr!

Jessie Jo Pauley
Jessie Jo is currently starring as the Ghost of Christmas Past in Christmas Carol (Red Cast) at Hale Centre Theatre. After Christmas Carol, she will be playing Purity -- one the angels -- in Anything Goes, also at Hale Centre Theatre. Jessie was asked to interview after her NYA Award for Artist of the Year for her roles in AYT's The Addams Family, Hale's A Christmas Carol, AYT's Footloose, Hale's The Wizard of Oz.

What’s home like? Brothers? Siblings? Parents? Pets?
My mom and dad, Linda and Doug, are the best parents a girl could ask for (you’ll probably recognize my mom if she has her iconic iPad with her!). I also have a younger brother, Nick, who is also quite the actor. He sings, acts, dances, plays football, karate, and parkour. He’s been in a number of shows at Hale Centre Theatre and Phoenix Theatre. He’s good at everything. No joke. And I have two cats!

Favorite show you’ve ever been in? Why?
I have so many favorites.  That is not a fair question. (A/N: Totally a fair question.)  I loved Addams Family at AYT and I met so many of my closest friends in that show.  I also will always cherish my time spent as Dorothy in the Wizard of Oz at Hale Theatre.  You couldn’t ask for a more fun and professional group of crazy actors.

So in the past couple seasons, you have played Snow White, Morticia Addams, Ariel in Footloose, and Dorothy in Wizard of Oz to name a few… A lot of these -- especially Snow White to Morticia -- are very different types. How do you act across type? What are the challenges you faced in playing such a variety of roles?
Ahhh yes. Acting across type! I think the key to acting against type is believing in yourself, that you CAN be evil or sexy or sweet. As long as you truly believe you are that character, others will believe too. The challenges I faced were other people’s expectations of me. I had people say “oh you can’t play Morticia, you’re too princessy” or “well, can you even belt”. These things were frustrating. People only saw me as soprano princess, which is great! Those roles are so fun. I mean who doesn’t love playing a princess! But I wanted to show people that yes! I can play dark! I can belt! I can play funny! I was lucky to get the opportunity to show people another side of me as Morticia. So I say, don’t let anyone tell you your limits! You can do whatever you set your mind to!

How did it feel to get to originate the character of Morticia Addams in Arizona?
I don’t even know if I can put it into words; I felt honored and excited to show people what I could do with this role! Because it was the first production of The Addams Family, I wanted to bring the role of Morticia justice! I wanted it to be a role people will remember me for, and hopefully they do!

Craziest stage experience (mishap, funny improvised joke, etc.)?
I’VE BEEN WAITING FOR THIS QUESTION. During a duet between Morticia and Gomez in The Addams Family, my long wig got stuck on Gomez’s cuff button. It pulled my wig half off and Gomez (Tim Eversole) and I just improvised all through the song. The audience loved it and so did we.

Advice for young performers? Auditions? Behavior? Life?
Audition as many places as you can! The more you’re out there, the better. And just stay positive, don’t let the little things get you down.

Favorite musicals?
Oh gosh, I would have to say Next To Normal, West Side Story, and Heathers ;)

Personal mantra(s)?
“Don’t cry because it’s over; smile because it happened” - Dr. Suess
“I’d rather regret the things I’ve done than regret the things I haven’t done” - Lucille Ball

Performer you would die to perform with? 
I would love to perform with Annaleigh Ashford. I feel like there would never be a dull moment on stage with her around!

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?
I love how many theatre opportunities the youth in Arizona have! We are so incredibly lucky. I also love how when there is a youth show, the cast becomes a family. I do think we can work on keeping the atmosphere positive! There is no need for drama or painful rumors. To keep the youth theatre in Arizona going we all need to support each other rather than bring each other down! Keep the peace :)

Most underrated show?
Wonderland. WHY WILL NO ONE DO THIS SHOW. I WANT TO BE IN IT.

(A/N: It's because the license isn't available... which then begs the question: WHY CAN'T YOU LICENSE IT!!!)

What’s your “adult” plan? Keep performing professionally or…?
This is a hard one. I am currently trying to figure out my “adult” plan myself! I want to perform as long as I live. Theatre is my home and that will never change. I would also love to work possibly in communications, public relations, or journalism, but performing will always be my first choice.

How did it feel to win the NYA Artist of the Year award?

Receiving the NYA Artistit of the Year makes me feel very proud and humble. I work my hardest in every show, so it is so nice to be recognized for it. What makes it even better is that I share the award alongside my beautiful and talented friend Jackie Brecker!

Adyson Nichols
Although Adyson is not currently on the stage, she will be starring as Ella in Rodgers and Hammerstein's Cinderella at Highland High School this spring! Adyson was asked to interview when she starred as Bonnie in the Arizona premiere of Bonnie and Clyde at Actor's Youth Theatre.

When and why did you start performing?
I started performing when I was 12 years old. At this time I didn't really have any friends at school and I felt like I didn't belong anywhere. I wasn't the prettiest, smartest, or most popular girl and I dreaded waking up in the morning and facing a day that didn't seem to hold any joy or meaning. Theatre changed all of that. Being on stage was and is my safe haven. It provided a place happiness excitement and learning. I finally belonged. It gave me the voice to be out going, to make friends, and most importantly to just be me.

Favorite show you’ve ever been in? Why?
Aida was most DEFINITELY my favorite show I have ever been in. I was only in the ensemble but I have never been so close with a cast and been moved by such a powerful story. The bonds made doing theatre are the strongest I have ever experienced. You may have gone to school with the same person since kindergarten but that friendship will never be the same as the ones you make with those you have only been in a few shows with.

Most challenging acting experience? Why?
My most challenging acting experience was when I played the role of Katrina in Sleepy Hollow at AYT. For this character, I had to be evil, conniving, and twisted. It was so difficult for me to play a charter such as that. To be so emotionally connected and to portray a person who is capable of that level of darkness was really tough.

You are playing Bonnie in the Arizona premiere of Bonnie and Clyde. Can you discuss the experience? What are some of the challenges of this role?
Bonnie and Clyde is a HARD show. Not only is it vocal demanding, but it is also extremely deep. The distortions going on inside the minds of the characters as they are constantly trying to reach for something more; something better, is so hard to portray and to channel on stage. But most of all I just don't want to let anyone down. That is my biggest fear when it comes to such a hard role. Nonetheless I am over joyed at the opportunity to be in this show and to do my best to do justice in presenting the infamous Bonnie Parker.

You have been nominated for two AriZonis. One for a play (Legends of Sleepy Hollow) and one for a musical (Footloose). How do you approach plays and musicals differently?
Plays are much much harder for me personally. When it comes to music and singing for an audience, I'm in my element. I just let loose the the pieces seem to slip into place. Straight plays are a different story... I have to work much harder and concentrate so much more deeply in order to lose myself. Bonnie and Clyde is sort of a mixture of the two so I'm hoping that's a good thing!

At Studio 3 Performing Arts, you played Belle this year. How did you make such an iconic character your own?
I wanted to let Belle be Belle. The iconic princess that I always dreamed of being. I wanted the kids in the audience to see that princess that they marveled at in the movie. But I wanted her to be me. In order to do this I had a philosophy. I'm still me on stage. I haven't become another person. But I have taken their motives upon myself. I had to this about what belle wanted and how she was going to get it, and how to present that in a way that would be the classic princess and be real and original in my own way.

What is playing the Mistress in Evita like? How is it different from roles you have played before? Do you enjoy working with an adult cast?
Playing the mistress was VERY different. The whole story line of evita is interrupted by this young girl lost and afraid of where she will be next. It was wonderful to have that one little song to call my own and then to watch as the rest of the story unfolded. It was different from other roles in the way that it was so innocent, soft, and refined. I couldn't just belt my face off and jam out like I normally do. I had to sit back and let myself be the innocent girl singing from the heart. Working with an adult cast was very strange to me especially being used to being one of the oldest in that cast. It was interesting to see the behind the scenes of the way adults handle the same stuff us kids do while performing and back stage.

Favorite person you got to play opposite of this past year? (Romantically or otherwise)
No doubt this would be Dallin Urness. He is currently serving a mission in Chicago but he will never stop being my Willard no matter how far he is.

Craziest stage experience (mishap, funny improvised joke, etc.)?
When Jared Kitch dropped his phone in the middle of a scene during sleepy hollow and did a stomp Michael Jackson spin move to kick it off stage. All the while I had to be straight-faced and unamused.

What is your go-to audition song? 
I know the truth from Aida. Every time.

Advice for young performers? Auditions? Behavior? Life?
Never ever give up, and just have fun. Don't get caught up in the drama or competitiveness of theatre do it because it makes you happy. And ALWAYS be super happy and bubbly in auditions. I know a girl who gets cast every time just because of how enjoyable she is to be around.

Favorite plays?
The crucible and All my sons. Just Arthur Miller in general.

Secret guilty pleasure?
To try to be Christina Aguilera in my room when no one's home.

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?
I feel as if the atmosphere has changed since I have gotten older. There is so much competition and drama that comes along with a big group of people all trying to get to the top. I feel as if we need to improve our outlook upon what we are truly here for. What we are really trying to accomplish with all those weeks of rehearsals and why we step onto that stage.

Joey J Grado
It's ya boy!! Joey is currently playing Peter Cratchit/Sled Boy in Christmas Carol (Green Cast) at Hale Centre Theatre. Next, Joey will be returning to youth theatre to play Beadle Bamford in Sweeney Todd at Actor's Youth Theatre. Joey was asked to interview while he was playing Clyde opposite of Adyson Nichols at Actor's Youth Theatre in Bonnie and Clyde.

Full Real Legit Name  
Joseph Jackson Grado

What’s home like? Brothers? Siblings? Parents? Pets? 
 I have one sister by blood who is turning 22 this month, two step-sisters ages 4 and 13, and three step-brothers ages 4, 6, and 11. I have a dog named Guedo

When and why did you start performing? 
I began performing at the age of 11 as a Hip Hop artist. At the age of 14 I began musical theatre when my choir teacher convinced me to audition for her show.

Please explain your Twitter name: @joeyjtherapper 
I have been a rapper since the age of 9. I still write original music and rap when I’m not on stage acting.

What has your experience at Hale Theatre been like? You played Young Terk in their production of Tarzan. What were the challenges that came with that role? What was it like working with an adult cast?
Working with Hale Theatre has been such a cool experience for me. I have learned so  much about performing since then and also about musical theatre in general and I’m extremely lucky to have been given that opportunity. Young Terk was such a fun role for me to play because I got to jump around like a gorilla and swing on vines onstage. The most challenging part of that role would have to be the physical conditioning that came with it. Swinging upside-down and singing Phil Collins isn’t as easy as it looks. As far as working with an adult cast, I’m so happy I was able to be apart of it and they helped me grow as an actor and performer.

Outside of acting, do you have other interests in the theatre world? Directing? Lights? Sound? Choreography? 
I would absolutely love to try directing! I do sound design and operation at AYT when I’m not performing and I would love to learn about lighting. I’m obsessed with the technical side of theatre just as much as the performing side. Choreography sounds like a lot of fun. we’ll see what the future holds!

Right now, you are starring as Clyde in the Arizona premiere of Bonnie and Clyde. Clyde is also your first big leading role. What are the challenges with this show?
Clyde is such an intense and emotional character. The things that he went through during his lifetime are so horrible and sad and bringing out that anger and hatred towards the world that he had are definitely a challenge because I like to think of myself as a pretty happy person. I’m hoping I can make it real on stage.

Favorite person you got to play opposite of this past year? (Romantically or otherwise)
Bryson Holl as Young Tarzan was so much fun. He became like a little brother to me.

Craziest stage experience (mishap, funny improvised joke, etc.)?
During Tarzan we had a piece of fruit hanging from a branch that Young Tarzan would knock off the branch with a stick. Some nights he wouldn’t be able to knock it down so we would always have to improvise it.

Favorite costume you’ve ever worn? Least favorite? 
In Footloose at AYT, I got to wear the leather Billie Jean jacket as a Chicago kid. My least favorite would have to be my flower costume for Tarzan. I looked like an eggplant.

Advice for young performers? Auditions? Behavior? Life? 
Don’t let people bring you down! There’s a lot of unnecessary drama in theatre and you can’t let that get to you! Just go out and have fun! For auditions, go wild. Be yourself, and don’t be afraid to be absolutely crazy. For life, find your wings and fly!

Musical/play on Broadway currently you’re dying to see?
Something Rotten! and Hamilton

Performer you would die to perform with? 
Norbert Leo Butz

Upcoming projects?
I’m working on some original music that I would like to put out within the next year or so.

Young actor/actress in the Phoenix area you'd love to perform with

MASON REEVES IF YOU’RE READING THIS I LOVE YOU


Kale Burr
Kale Burr is not currently on the stage, but he will be making his Hale Centre Theatre debut in February as a part of the ensemble in Anything Goes. Kale was also apart of Bonnie and Clyde at AYT as Ted Hinton.

Full Real Legit Name
Kale Aaron Burr

(A/N: For all you Hamilton fans out there, I guess if part of Kale's name is "Aaron Burr," he shot Alexander Hamilton.)

What’s home like? Brothers? Siblings? Parents? Pets?
I have two brothers and one sister. My brother, Riley, is the one who started this crazy journey. My sister and I followed in his footsteps. My parents just recently performed in their first show, Pirates: A Love Story, which I had the pleasure of performing a year prior. I love my family with all my heart! They’re all so amazing!

Most influential show you ever saw? Why was it so influential?
Big Fish. My grandpa died of cancer back in December of 2014 and he was almost the exact same at Edward Bloom. It made me appreciate all of his crazy stories and realize that we should be grateful for the time we have with our loved ones.

Most challenging acting experience? Why?
I’d have to say either Hamlet or MacBeth. I’d say MacBeth because we did the full unabridged version and I played five different characters. I had to find a way too physically and mentally separate all those characters, which in the end turned out to be really fun and rewarding.

A lot have theatres have been doing Footloose and you played Ren recently. How did you approach such an iconic character? How did you make him different that other incarnations of Ren? What were your biggest challenges in playing the role?
My one goal with this character was to just go crazy and have fun. That’s who Ren McCormick is. I tried to show the transformation of the character throughout this show. My biggest challenge was singing high and dancing fast at the same time. That was crazy. But it kept me in tip top physical shape so I can’t complain. I also tore my ACL during the run of the show, even though I didn’t know it at the time. It wasn’t a challenge during the show, but has been ever since. Totally worth it though. I had such a blast and wouldn’t trade that experience for the world!

Can you speak to Pirates: A Love Story a bit? What’s it about? What made it such an amazing show? 
In a way, it is sort of like the pirate version of Les Miserables. It’s about a man named Benvolio Beecham, his evil brother, Malcolm Beecham, his fiance, Julianna Fenton, and the female pirate captain who is in love with him, Bloody Imogen, and the series of events and conflicts that follow. I believe it was such an amazing show because 1) the cast was phenomenal, and 2) it was and original musical with amazing music, which can sometimes be rare, especially with youth theatre.

Last year, you were nominated for an AriZoni for your portrayal in Hamlet in Actor’s Youth Theatre’s Hamlet. What made AYT’s production of Hamlet different that the one’s most people are familiar with?
We did a modernized version of the show without all the crazy Shakespeare language.  It was set in a 1920’s Russian circus. It was pretty freaking cool.

You are playing Ted Hinton in the Arizona Premiere of Bonnie and Clyde. What has that experience been like? 
It’s been a blast! I’ve had a good time creating this character who is conflicted with his job (killing Bonnie and Clyde) and his love for Bonnie. This is the first time I’ve been apart of a premiere, and I hope that we can set a high standard.

Dream role? Dream role of the opposite sex?
Gabe in Next to Normal, Eva Peron in Evita

Best youth production you have ever seen?
Probably Les Miserables when AYT did it in 2011.

What is your go-to audition song? 
Either Extraordinary from Pippin or Santa Fe from Newsies (I’m embarrassed)

Favorite actors and actresses? Stage? Screen?
Johnny Depp, Ramin Karimloo, Mandy Patinkin

Performer you would die to perform with? 
Julie Andrews

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?
It’s amazing!! One thing that can be improved is the amount of judgment and rumors that are spread. There should be less of that.

Most underrated show?
Big Fish

Martin Loehr
Martin is best known for his work at Studio 3 Performing Arts Academy, where he played roles like Trevor Graydon in Thoroughly Modern Millie, Kyle in Legally Blonde, Mr. Feldzieg in The Drowsy Chaperone, and Fester in The Addams Family. Martin was asked to interview after his AriZoni Award for Fester. 

When and why did you start performing?
My mother put my older brothers in dance classes, I was no exception. I took my first tap class at the age of 3. After 9 years of moving from dance studio to dance studio competing dance competitions , My brother decided to open up a studio of his very own.

After my brother left his teaching job at another studio do to “artistic differences,” he decided to open up Rhythm Soled. A place to provide affordable dance lessons to neighborhood children. His goal was to make dancing accessible for anyone and everyone. All he asked was a mere $5 a class, and I joined his ranks.

There I took tumbling, jazz, ballet, modern, martial arts, acting, voice and of course tap classes. I even met one of my best friends to this day Jessica Webb at the studio and she quickly became my dance partner.

Now Dustin’s new studio wasn’t fancy. In fact, he ran it out of his then girlfriend's parent’s garage. But he had a mirror, a floor, and a dream, and that's all you really need. There I really learned all the skills required to succeed in performing.

But all good things come to an end eventually. After Dustin and his girlfriend broke up, the dance studio fell under, Jessica and I parted ways, and I had nowhere to dance. I stopped dancing for two years.

Throughout my entire life I’ve always loved musical theatre. I’ve been known to sing (quite loudly in fact) around the house, and I’ve always done little school shows every now and then. But my first “real’ show came in the form of a phone call.

I was about 14 at the time when Dustin called. “Hey…. Do you want to be in a show? It’s with a community theatre, and they really need boys.”

Before I knew it I was part of the ensemble cast of “Bye Bye Birdie” at Mesa Encore Theatre (MET). There I performed alongside local community theatre legends and I loved it. I loved performing in “Bye Bye Birdie” so much I didn’t hesitate to be apart of their next show, “The Music Man.” And “The Music Man” changed my life.

If you’ve ever seen “The Music Man,” you know that there are a lot of kids in that show. To get the quantity of children required in order to make the musical successful, MET partnered up with “Studio 3 Performing Arts.” Amongst the Studio 3 kids was my old dance partner Jessica. Since I haven't seen her in two years, you could imagine how awesome that was.

To bring this long story to a close, Jessica convinced me to join Studio 3, I took tap classes again, and doing shows there became my life.

First show you ever saw?
The first show I ‘remember’ seeing was a Jr. High Drama club production of “Zorro.”

First Broadway show you ever saw?
Newsies

Most influential show you ever saw? Why was it so influential?
Probably the off-Broadway production of “Avenue Q. Though being HILARIOUS, “Avenue Q” is influential because it teaches the audience life lessons. It teaches the audience that growing up and being an adult will not be easy.It teaches the audience that nothing is permanent, and everything is temporary. I find that so important.

Favorite show you’ve ever been in? Why?
My favorite show I’ve ever been in was probably “The Drowsy Chaperone.” That was one of my first shows I’ve ever done at Studio 3, and there I made life long friends. Plus, playing the badass gangster Victor Felzieg was great.

Most challenging acting experience? Why?
My most challenging acting experience I’ve ever had was when I understudied three roles in “The Little Mermaid Jr.” I understudied “Chef Louie,” “King Triton,” and “Scuttle.” I even had to perform “Chef Louie” and “Scuttle” in one show!

You won an AriZoni Award this year for playing Fester in Studio 3 Performing Arts Academy’s production of The Addams Family. What was that experience like? How does it feel to win a Zoni?
I feel so honored to have one a Zoni for my portrayal of “Uncle Fester” in The Addams Family. Uncle Fester was definitely my most memorable role. He was crazy! Having the opportunity to play him will forever be a lifelong memory. I only wish I was able to go to the award ceremony. I was in D.C. at the time.

(A/N: Martin is currently studying to be a veterinarian and was in DC for a fancy schmancy conference. He's very successful outside of the theatre world, too!)

Throughout your career, you worked extensively with Studio 3 Performing Arts Academy. What were your experiences like there? Any advice for someone auditioning there?
My experiences there were fantastic. Of course there were ups and downs, but you’ll have that with any place you decide to perform with. My only advice I would give to someone who is auditioning there is to be yourself. I find genuineness to be an extremely lacking trait, especially in theatre. If you are your true self, you fill find that you’ll go far in not only Studio 3, but in life in general.

You’re a pretty swell tap dancer. What do you think is so unique about tap? Why do you think it isn’t as practiced as it used to be?
I’m a swell tapper? Thanks! Haha.
Tap dancing is so unique because you're not just a dancer, you’re a musician. You are making beautiful noises with your feet, and that is a hard thing to do. Which brings up the answer to the next part of your question.
The reason why tap dancing isn’t as popular as say, ballet, is because it is so hard. If you mess up in a jazz or ballet dance, odds are the audience will not even notice, but if you mess up in a tap dance number, your audience hears it. No other dance type can say that.


Thank you to everyone who did an interview this year! If you want to read more, feel free to go back and read full-length interviews with Denise Simon, LJ Deacon, Sam Primack, Julia Davis, and Jacqueline Brecker.

If you are interested in doing an interview or know someone who you think I SHOULD interview, e-mail me at mackenna.azyoungactors@gmail.com or on Facebook.

If you are interested in being a guest poster, submitting a review, submitting a Bedroom Session, or if you have any questions, please feel free to send me an e-mail.

If you are a theatre interested in posting audition notices or creating a contest on the site, shoot me and e-mail or message me on Facebook







Monday, October 19, 2015

AYAA ADULT Interview: Denise Simon

Thank you to Denise Simon for being our first interview of an adult person on the Arizona Young Actor's Alliance. Denise Simon is an acting coach and consultant for young performers who works a lot with young actors "to coach them without having them look coached." She has coached hundreds of kids, many who have gone on to find success on TV shows, Broadway, and on the big screen. She also writes articles for backstage.com about young actors for parents and kids. Additionally, she spends some time directing shows, acting and leading workshops; she also recently casted a film. Denise currently resides in New York. You can read more at the bottom about how YOU can be a part of one of Denise's workshops here in Arizona. 

When and why did you know you wanted a career in the arts?
When I saw the movie The Sound of Music at a very young age, I wanted to be Julie Andrews. I sang and acted out plays in my room all day long- it’s all I wanted to do. I guess it is in my DNA.

First show you ever saw? 
the Off Bway production, Curly McDimple

First Broadway show you ever saw? 
Not sure I can remember. May have been A Chorus Line 

Most influential show you ever saw? Why was it so influential? 
Recently, I saw The Curious Incident of the Dog in the Night Time. It was innovative and powerful pushing my emotional and sensory buttons.

Weirdest show you’ve ever been to? (Whether it be the nature of the show, casting decisions, etc.)
I was at a performance of Avenue Q and a woman in the audience had a psychotic outburst in reaction to the puppets. At first, the actors improvised and the audience members thought it was part of the show. She was then carried out of the theatre. Very strange.
IMG_3178-245x300
What made you want to work with young actors? 
I have always loved children and teaching. I started teaching guitar when I was 13 years old. To support myself while beginning my own acting career, I taught acting to children and teens. It has always been very natural for me and I love when they “get it!”

How did you start writing for Backstage.com? What articles that you have written would you say are most beneficial for young actors to read?
I started blogging on my own website and because of my years of experience working with young performers, Backstage asked me to become a contributing writer for them. I have written hundreds of articles. My favorite for parents is How to support your child’s dream and why. For young performers it may be  how to audition well, how to relax and how to let go of the outcome.

(A/N: You can read Denise's articles on Backstage.com here!)

You graduated from Florida State University and graduated with a BFA in theatre. Do you think it is important for people who want to be actors, directors, set designers, etc. to go to college? 
I think getting a well rounded good education is very important for actors. The industry is looking for smart, well rounded actors  who have a unique voice and message.

What is Total Theatre Lab?
Career and life balance consulting with Denise SimonTotal Theatre Lab was an acting playground for young actors- a chance for them to “work out” with other actors in scene study, monologue  work and improvisation.

What can people expect from a workshop with you? 
I teach kids how to direct themselves and ask the right questions. Audition workshops are about learning how to make strong, powerful choices and taking risks in the audition room.

Best youth production you have ever seen? 
A high school version of Les Miserables. It could have been Broadway!!!

What advice would you give to kids looking for audition songs?  
Choose something age appropriate and relatable. A nine year old should not be singing about being in love. The first time a casting director is meeting someone they want to see who this young performer is.

A Midsummer Night's Dream 2013
Picture of the cast of Midsummer Night's Dream directed
by Denise in 2013.
Advice for young performers? Be yourself. Don’t try to be who you think auditors want you to be.
On auditions? Keep your nerves at home. Stay confident. Only confident actors get hired.
On behavior? Professional, friendly and authentic.

Favorite actors and actresses? Stage? Screen? 
Meryl Streep, JK Simmons (Whiplash), Sean Penn

Favorite plays? 
War Horse, The Curious Incident of the Dog in the Night Time

Favorite musicals? 
Les Miserables, Finding Neverland, Book of Mormon

What is the best showtune of all-time? 
Now that’s tough. Probably "On My Own."  My favorite audition song for young performers is "Waiting for Life" from Once on This Island.

Musical/play on Broadway currently you’re dying to see?
HAMILTON


IntoTheWoods_2015.07.07 (19 of 20)
Picture of Into the Woods cast, directed by Denise in 2015.
(A/N: Aren't we all?)

Favorite movie? Gone With The Wind   
TV Show? The Office and Curb Your Enthusiasm. I also loved 24.

Secret guilty pleasure?  
Reading People Magazine.

Personal mantra(s)? 
Master your craft, empower yourself and enjoy the journey. And…. Don’t make anyone a priority who considers you optional.

What is the key difference between auditioning for stage and auditioning for screen? 
Toning it down for film!!!!! The camera does the work. Just talk and listen.

Favorite people you have worked with? 
Charles Nelson Reilly, Burt Reynolds, Martin Sheen  and Charles Durning.

Denise and her dog, BaileyHow do you feel about the atmosphere of youth theatre around the country? What do you like about it? What do you feel like can be improved? 
I am thrilled there is so much youth theatre in our country. Kids need a creative outlet and an  actor needs to act. I would like to see more teaching going on rather than direction.

Most underrated shows? 
Side Show and Merrily We Roll Along. Both are wonderful and had short runs on Broadway.

Upcoming projects/workshops/etc.? 
I am writing a book for Parents of Young Performers- how to help their young performer have a career in professional show business. The theme of the book is how to support their child’s dream and why.

Denise will be teaching two workshops at Studio 3 Performing Arts Academy this November! For more information, check out this link. Big thanks again to Denise for doing this interview for AYAA! Go take one of her workshops this November! 

Thursday, October 15, 2015

AYAA Press Release: Denise Simon Workshop

Come be a part of these awesome workshops! We will be doing an interview will Denise Simon pretty soon. She is a great instructor and can really help young actors with their auditioning skills, comedy and improv! Register today!

Tuesday, October 13, 2015

AYAA Press Release: The Secret Garden @ Theater Works

Theater Works Brings A Magical Garden to Life in the Youth Works Production of The Secret Garden
Multi- Tony Award-Winning Musical Onstage November 6 - 22

(Peoria, AZ) Theater Works 30th Season continues with the YouthWorks production The Secret Garden opening Friday, November 6. Winner of multiple Tony Awards™, The Secret Garden is a captivating story, brought to life with enchanting music and wondrous lyrics, based on the 1911 novel by Frances Hodgson Burnett. When Mary Lennox, a young English girl born and raised in the British Raj, is orphaned, she is sent back to England to live with her embittered, reclusive uncle Archibald and his invalid son, Colin. There she discovers a neglected, magical secret garden. Through her care and love, she brings new life to the garden and to her new home. Book and Lyrics by Marsha Norman, Music by Lucy Simon.

Director Chris Hamby says, "The cast of The Secret Garden is full of some of the most talented youth. Their vocal and acting abilities are on par with many adult actors. It is my pleasure to be working with them to create one of the most memorable productions of the Youth Works program.” Chris Hamby serves as Theater Works’ Education and Outreach Director, as well as the puppetry director for the Puppet Works program.  Most recently Chris directed the award winning productions of A Year With Frog and Toad, The Tales from the Arabian Nights, and Avenue Q: School Edition for YouthWorks. This season he is excited to direct The Secret Garden, Charlotte's Web and his original musical Twilight's Quest.

The Secret Garden will be on stage at the Peoria Center for the Performing Arts November 6 –22, 2015. The Youth Works 2015-16 season continues with Charlotte’s Web, the third production this season based on a beloved book which takes the stage from March 4 – 20. The Youth Works season concludes with an original production written by Hamby, Twilight’s Quest.

Tickets for The Secret Garden are now on sale. General admission tickets are just $15. The production takes place in the Gyder Theater of the Peoria Center for the Performing Arts (8355 West Peoria Avenue, Peoria, AZ 85345). To purchase tickets or find out more about Theater Works and the Youth Works productions, contact the Box Office at (623) 815.7930 or visit www.theaterworks.org.

“Secret Garden, The” is presented by special arrangement with SAMUEL FRENCH, INC.

Theater Works, at Peoria Center for the Performing Arts is entering its 30th season of providing exceptional theater to the West Valley.  As a destination, it features more than 200 events a year including: live theater, classical concerts, jazz, popular music, dance, comedy, cultural events, festivals, youth and adult education classes and much more.  Theater Works is a non-profit 501(c)(3) organization.  

Are you a theatre interested in having show or audition info on the AYAA website? Shoot me an e-mail at mackenna.azyoungactors@gmail.com!

Sunday, October 11, 2015

AYAA Interview: LJ Deacon

LJ Deacon is a young actor from Mesa, AZ who started out with Westwood High School Theatre. He participated in Much Ado About Nothing as Don John and I Never Saw Another Butterfly (Superior Rating - AZ Acting Festival). Subsequently, LJ decided to audition for his first community theatre show at East Valley Children’s Theatre for their summer show and landed his first lead role, Jacob in Arya’s Rock a Video Game Adventure (and won an AriZoni!!) He is currently working on his next show To Kill a Mockingbird as Dil at Zao Theatre.  He also recently visited Utah in early October to participate in the annual Utah Shakespeare Festival, where he played Bottom/Pyramus in Midsummer Night's Dream
LJ has experienced a blessed and incredibly start to his acting career and can't wait to see what happens next! He has a long way to go!

Full Real Legit Name
LJ Deacon

Where were you born?
Mesa, AZ

When and why did you start performing?
I've always been interested theater but I just started this year (2015). It's been the greatest time ever, meeting the greatest people in the world. Getting involved with theatre is the greatest decision I have ever made.

First show you ever saw?
I honestly think I have to say Nice Work If You Can Get It -- which I totally want to say is a lie because that was only in March of 2015.

First Broadway show you ever saw?
Nice Work If You Can Get It. It was absolutely amazing and still my favorite.

LJ hanging out with some friends from Westwood High's
Drama Club.
You are pretty heavily involved with the theatre program at Westwood High School in Mesa. Why do you think high school theatre is important for young actors and actresses?
High school theatre is such a great thing if you are looking in getting into acting. Joining high school theatre was the best decision of my life. I absolutely love everyone in my theatre department and I want to thank my wonderful teacher, Jeana Whitaker, for all she has done for this theatre department; I have no idea where I’d be in life without her.

This year, Westwood is putting on the HUGE production of Big Fish. Do you think you will be apart of the show? 
I absolutely hope so! I hope to be cast as Don Price or Zacky Price. I can’t wait for this show and I will definitely be apart of the show, whether it is on or off stage or BOTH!

LJ as Jacob in EVCT's Arya's Rock. (2015)
You won an AriZoni Award for East Valley Children’s Theatre’s production of Arya’s Rock. What was that experience like? How does it feel to win a Zoni?
Working with EVCT was an absolutly blast and I enjoy the professionalism. Winning an AriZoni Award is something I could only dream of. I never expected this to happen, but of course I’m incredibly grateful and blessed. I could not have done it without this wonderful cast and crew.

Right now, you are currently playing Dil in Zao Theatre’s production of To Kill A Mockingbird. What is it like bringing such an iconic character to life?
It’s definitely going to be a challenge; some people are going to expect the same Dil they see in the movies, or described as in the book. But yet I’m so excited to portray such a loveable character. It's going to be a whole lot of fun!

You participate in a lot of straight plays (Arya’s Rock, To Kill a Mockingbird, Much Ado About Nothing, etc.) What do you get out of straight plays that you don’t get out of musicals? Why do you think more places concentrate on musicals and not straight plays?
My lack of vocal talent is why I've stayed away from musical auditions. Musicals are something I'm totally interested in and wish I could do! Musicals are bigger, better, and more fun!

Dream role?
Jack in Into The Woods.

Theatres in Arizona you would love to work with, but haven’t?
It would be an absolute honor to be with Hale. I'm also very interested in being apart of AYT and VYT

LJ in a scene from A Midsummer Night's Dream with
Westwood's Advanced Acting class. The students
competed with this scene at the Utah Shakespeare
Festival in October. (2015)
Weirdest show you’ve ever been to? (Whether it be the nature of the show, casting decisions, etc.) 
Hamlet [at Southern Utah University]. Every gender was switched, but I thought it was amazing!

Best youth production you have ever seen?
AYT’s Bonnie & Clyde!

Advice for young performers? Auditions? Behavior? Life?
Make connections! Never settle for less than your best! Always act professional, be prepared, and make everyone love you! STAY OUT OF TROUBLE!

Favorite actors and actresses? Stage? Screen?
I totally love Leonardo DiCaprio; he is everything I aspire to be.
I also very much appreciate the local actors for all their wonderful talent and hard work.

Favorite play?
The Curious Savage

Favorite musicals?
Into the Woods, and NICE WORK IF YOU CAN GET IT!

What is the best showtune of all-time?
EVERYTHING FROM NICE WORK IF YOU CAN GET IT

Musical/play on Broadway currently you’re dying to see?
The Book of Mormon.

Favorite TV Show?
Breaking Bad will forever be the best and my favorite TV show.

Secret guilty pleasure?
When someone gives me a free comp ticket.

Personal mantra(s)?
“I need Jesus”

Performer you would die to perform with?
Mariah MacFarlane

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it?
I love the support and the professionalism. I love all the opportunities offered to our young talented actors.

LJ as Jacob in EVCT's Arya's Rock. (2015)
What’s your “adult” plan? Keep performing professionally or…?
I plan to stay in the acting industry. Making it big isn't my concern; it's doing what I love and making a living from it.

Upcoming projects?
Other than To Kill a Mockingbird, as of now, I have NO idea. But can't wait to see what the future holds.

Young actor/actress in the Phoenix area you'd love to perform with
Joey J Grado, DUH!
{interviewer's note: don't we all just want to perform with/be in the presence of Joey?}

You can catch LJ as Dil in Zao Theatre's production of To Kill A Mockingbird from October 30th to November 14th! More info about TKAM can be found here! Thank you to LJ for taking time to do this interview. As someone who just recently got into theatre, he showcases that you don't need to be performing from birth to find success in the theatre community.