AYAA Interview: Asher Sheppard

Asher Sheppard is a young actor who was asked to interview after his AriZoni win for Mr. Aesop in Fountain Hill's production of the Fabulous Fable Factory. Asher has primarily performed with Fountain Hills Theater. He has performed as leads in their youth productions and in the ensemble in their adult "mainstage" shows like South Pacific and Young Frankenstein. Asher will next be seen as the Wolf/Cinderella's Prince in Into the Woods.

Full Real Legit Name

Asher Thor Sheppard, yes Thor is my middle name,

Where were you born?

I was born and raised here

What’s home like? Brothers? Siblings? Parents? Pets?

I have two younger brothers  Avery who is sixteen and my youngest brother Calen who is twelve, and happy husky puppy Nanuk, I love him and my family very much.

When and why did you start performing?

I started in a little, very little, homeschool theater that all of my old friends were apart of. They asked me to be in their next show, which was Shakespeare’s A Comedy of Errors where I was a made up character called “Cornelius” that show is what pulled me into the theater world and all of the fantastic people I know now. I stayed at this homeschool theater for two years and then I found Fountain Hills Theater when a fellow actor of mine asked if I could tech for their show of The Somewhat True Tale of Robin Hood that was where I first met Mr. Collins who has really influenced my acting career, I’ve been there ever since and I am extremely happy and content just staying there.

First show you ever saw?

The first show I ever saw was their [the homeschool theatre's] production of The Jungle Book

First Broadway show you ever saw?

My first Broadway show I ever saw was The 25th Anniversary at the Royal Albert Hall of the Phantom of the Opera on YouTube, but my first live broadway show was also Phantom of the Opera at Gammage theater.

Most influential show you ever saw? Why was it so influential?

Both of those productions [of the Phantom of the Opera] really influenced me because of the beautiful emotions all of the actors projected to the audience; they made me truly believe I was there with them. Because of seeing that show, I really wanted to hone my skill as an actor and be able to make the audience laugh, cry, sing along and, be hungry for more, hopefully,

Favorite show you’ve ever been in? Why?

I think my favorite theater production I’ve been in is a tie between Fountain Hills production of Peter Pan and Young Frankenstein. I was just in the pirate ensemble [in Peter Pan] but I had a lot of fun working with all of the really talented actors like Emily Spets who played Mr. Smee, Katie Male who was a was Mrs. Darling and a pirate along with me, and Nicholas Hamburch who was Mr. Darling and Captain Hook. For Young Frankenstein, which was in the main stage or adult theater, I met the fantastic Patrick Russo, Matt and Stephanie McDonald, and all of the other cast members of that show, I really miss that show a lot and wish I could do it again with all of those skilled and experienced actors.

Asher Sheppard in Junie B. Jones, in Jingle Bells, Batman Smells!

Most challenging acting experience? Why?

My most challenging acting experience was actually as Mr. Scary [in Junie B. Jones, in Jingle Bells, Batman Smells!] because for the life of me, I could not memorize my lines, and also teching for Sunday in the Park with George, working three different laptops for three projections and working the sound board on top of that for the live band, that was backstage was really difficult when also having to memorize lines for Junie B.

An abundance of theatres have recently done or are doing Into the Woods this year -- obviously, in response to the movie. You were recently cast as Cinderella’s Prince and the Wolf at Fountain Hills. What do you plan to do to make your incarnations of these characters unique?

In regard to Into the Woods, which I am overjoyed to be apart of and I hope you can come see it, I am also very intimidated. I am going to be in thirteen songs, but I get my own song to sing which I have never really done on stage before. What I plan on doing to make the characters my own will probably come to light when I start rehearsing for the show, but for now I’d say be high and mighty but also not really knowing any differently; the prince was raised that way and he doesn't really see anything wrong with that. The Wolf, on the other hand, I am going to have an extremely fun time being; even though he only has that one song for the whole show, he really leaves his mark and I hope to take full advantage of that.

Asher Sheppard in The Fabulous Fable Factory

You won an AriZoni award for The Fabulous Fable Factory. What is that show about and what was that experience like for you?

My first lead role was actually Mr. Aesop in the Fabulous Fable Factory. The story of that is this little girl Margo stumbles across this mysterious factory and discovers that it makes fables, stories with morals, and she learns about what a moral is and the lessons they teach.

Junie B. in Jingle Bells, Batman Smells recently closed at Fountain Hills and you played Mr. Scary. What sets this show apart from other Christmas shows? How much fun was playing Mr. Scary?

For Junie B. and how that show is different compared to other Christmas shows is the cast themselves. They all worked very hard and really put their entire being into portraying their character and with the experience and direction that Mr. Collins gave us, it really made the show shine, Emily Spets was the perfect Junie B. I really can’t see anyone else as her and everyone else [in the cast] for that matter.

Do you prefer performing in plays or musicals? What makes the process of preparing for these two types of performances different for you?

I’d have to say I prefer being in musicals more then plays, but both really have their perks and minuses. In plays you really have a good show, but with musicals you can express yourself with your voice and the song you have. That is really why I love musicals.

Asher Sheppard with the cast of Young Frankenstein.

Favorite character you got to play this year?

My favorite part I was able to play was probably a townsperson in Young Frankenstein. I had my own little bit, in which Inspector Kemp said that we have got to find a new village idiot and I would raise my hand exclaiming "ME ME ME!!" and singing all of the fantastically memorable songs really was a nice bonus.

Favorite person you got to play opposite of this past year? (Romantically or otherwise)

Favorite person I was able to play opposite of would probably Emily Spets. Just the back and forth shenanigans that she would cause as Junie B. and myself as Mr. Scary was really fun to act all exasperated.

Dream role?

I think my dream role is a four way tie between Javert and Jean Valjean from Les Mis and Raoul and the Phantom from Phantom of the Opera, but the Phantom and Valjean are kind of wishful thinking because I am not a tenor unfortunately, just a bass baritone, insert sad face here.

Theatres in Arizona you would love to work with, but haven’t?

I really don’t feel the desire to go anywhere else in the Valley to other theaters, If I absolutely had to choose, I might pick Hale because from what I have heard they treat their actors very well. But other then that I don't really want to go anywhere else, just keep working with Mr. Collins for as long as I can and then move on to the main stage with all of my adult friends to work with Mr. Hill, who is also a very exceptional director.

Craziest stage experience (mishap, funny improvised joke, etc.)?

My craziest stage mishap would have to be when I was asked to be Mr. Darling [in Peter Pan] at the old homeschool theater I mentioned. When the time came for Mr. Darling to look at Peter Pan's shadow in a cabinet we had on stage, the little boy who was playing the Shadow wasn't there, so I had to completely improvise my lines to get the scene moving again; thankfully, it wasn't a huge fiasco.

Weirdest show you’ve ever been to? (Whether it be the nature of the show, casting decisions, etc.)

The weirdest show I’ve ever seen would have to be the homeschool theater's production of Twelfth Night, which is a Shakespeare play about a duke wanting to get married to this duchess and sending his messenger who is a woman dressed as a man that the duchess falls in love with and it gets much more complicated from then on. But what was really confusing about [this particular production] was they chose three different genres for the show. First, some characters genders were swapped, so guys were playing female characters and vise versa. Their costumes were all over the place; one guy who was playing a woman was dressed like an anime character, another was dressed with a Mad Max apocalypse theme to her, and another looked like a clown and their set was just a curtain that was stained tan with hub caps painted on to look like intricate symbols. Over all, I was very confused, but there were a few actors who did a great job with the parts they were given.

Least favorite costume you’ve ever worn?

My least favorite costume that I had to wear was probably Mr. Scary's and Mr. Aesop’s because they both were pretty much the same thing: pants with a button down shirt with a sweater vest. I don't really like sweater vests because they make me look like I have a big gut sticking out, when I’m actually very skinny.

What is your go-to audition song?

My go to audition song would have to be “Man About Town” from Young Frankenstein. I love that song because it fills me up with so much happy energy that in turn makes me project that happiness to the audience.

Advice for young performers? Auditions? Behavior? Life?

My advice to young performers would be that when you audition for a musical, don’t bring in sheet music that is a capella because I have heard that you will be scratched off the audition sheet right then and there, so don't do it! Also, a big thing that I want everyone to see would be that, no part, no matter how small, is not unimportant. If you’re the lead or just an ensemble member, all of those characters are there for a reason and that reason is to tell the story that you are apart of, so don’t beat yourself up for just getting an ensemble part, because without you the show could not be as good as it would be with you.

Favorite actors and actresses? Stage? Screen?

I think my favorite actor would have to be Josh Groban, because I sound like him when I sing, and Ramin Karimloo, because of his amazing voice and talent on stage, he really inspires me to to my best.

Favorite plays?

Favorite play would be the play Sylvia. That play really made me laugh and that’s pretty much all of the straight plays I’ve seen.

(Author's note: I love Sylvia.)

Favorite musicals?

Favorite musicals would have to be Les Miserables, Into the Woods, Phantom of the Opera, and Twisted; the classics I would say.

What is the best showtune of all-time?

Asher Sheppard with Chelsea Umeda backstage
during Fountain Hill's South Pacific.

Best showtunes of all time would probably be “Children Will Listen” from Into the Woods and “This is the Moment” from Jekyll and Hyde.

Musical/play on Broadway currently you’re dying to see?

Actually, I’m not dying to see a Broadway show right now. I have heard a lot of positive reviews for Hamilton, but it hasn't peaked my interest to see it yet.

Favorite movie? TV Show?

Favorite movie would be Star Wars Episode 7; man, what a great movie! For TV show, I would say Star Wars Rebels. If you haven't already guessed, I am a massive Star Wars nerd.

Personal mantra(s)?

“It is what it is” and “The force will be with you, always.”

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?

Well, unfortunately, I’ve only been to FHT’s youth theater, which I absolutely love. As I said in my thank you speech for my AriZoni award, FHT has become my home away from home and its the only place I want to be. But from what I’ve heard from the other theaters is that some of them are either very expensive and pretty cut throat. Now this is just second hand info I have, so it may not apply anymore, but shouldn't people just be happy to be in theater and not about what part they get? That’s all I would want to change in the theater industry, and the actors egos, but that is out of my control so I just have to deal with it. Thankfully, FHT has this uncanny ability to repel egotistical actors which I love.

What’s your “adult” plan? Keep performing professionally or…?

My plan is to get my Nursing degree and then set my schedule to work when I want, so I’ll have plenty of time to be in theater, and most likely, be in the main stage at FHT.

Upcoming projects?

Upcoming projects would be to audition for Mr. Collins original Miss Minnie’s Melodram-odeon and then see what shows they're doing next season.

AYAA to the Rescure: Jobs in Theatre: Production (2/3)

Hey there, everyone! Welcome to the second post in my series about jobs in theatre. To read about jobs, in pre-production, you can click here. Last year, I did a few posts on education, including a quiz about what theatre major to choose in college, out-of-state schools for theatre, and why it is important to participate in youth theatre.

This series exists in order to introduce people to the diverse group of theatre personnel. A lot of time when people think about theatre, their minds immediately jump to actors, director, producers, costume designers, etc. Obviously, those jobs are extremely important, but there are other jobs in theatre are essential to the creation of a successful show.

Today, I will be focusing on people working when the show is happening on stage. Last week, I discussed the pre-production staff and next week will be the final post on theatre staff.

• Actor -  portrays the characters created by the playwright. Interprets the role, keeping true to the vision of the director. 
• Many colleges offer BFAs in Acting, but a large percentage of general Theatre BAs have acting concentrations as well.
• It is important for actors to understand the technical positions as well.
• Backstage crew - Sometimes referred to as the running crew. These individuals "run" -- meaning supervise and operate -- the various technical aspects of the show. Usually limited to those who work during the actual performance.
• Not necessary a position requiring a college education, but a technical theatre degree would work here.
• Carpenter/Master Carpenter - Someone who builds sets and elements on stage. The master carpenter is generally in charge of the other carpenters and knows the most about the craft/has the most experience. Brings the vision of the set designer to life.
• Not necessary a position requiring a college education, but getting a carpentry degree would be prudent. If you want a college education, technical theatre would work here as well.
• Charge artist - Oversees the painting of set pieces. Brings the vision of the set designer to life. 
• Not necessary a position requiring a college education, but a degree in art or technical theatre would work.
• Electrician/Master electrician - Electricians generally work with lighting. Translate the design of the lighting designer during the performance. 
• The Master electrician oversees the rest of the electricians. Generally the most experienced.
• Not necessarily a position requiring a college education, but knowing about lighting design and the way the equipment works is crucial. A technical theatre degree would work here, as well as a degree from a technical school.
• Paint crew - paints the set under the direction of the charge artist
• A college degree would not be necessary, but a degree/knowledge in art of technical theatre would be useful
• Playbill writer - creates the program for the production
• A college degree would not be necessary for this position. Sometimes this falls under a duty of a member of the theatre staff.
• Publicist - brings people to the production. Generates and manages the publicity for the show. 
• A degree in communications, marketing, or publicity would be useful here. Some colleges have specific degrees for art marketing or management.
• Stage manager - arguably one of the most important jobs for a production to run smoothly. Organizes and coordinates the elements of a theatre production. Coordinates communications between all personnel.
• Many colleges known for theatre are starting to offer specific Stage Management BFAs, but a technical theatre BFA would be helpful here as well. Must be well organized.
• Technical director - someone within the theatre who makes sure all the technical equipment is functional for a production. Responsible for overall organization of the technical aspects and making sure all tech components run smoothly.
• A job highly versed in organization. Good to have a degree in technical theatre, theatre production or arts management. However, they also must have a good business and financial sense. Very versed in technical theatre; should know about all aspects of technical theatre, considered an expert. 
• Stagehands - part of the backstage crew. Works all aspects of the technical production during the run of the show
• Not necessarily a job requiring a college degree, but a degree in technical theatre would work here.
• Wardrobe supervisor - responsible for watching over all costuming activities during the run of a show. Job generally begins during the load-in of a production. Supervises all dressers. Coordinates when and where costume changes occur.
• Could use a specific degree in costume design, but as they are more based in organization, a degree in technical theatre would definitely suit this position.
• Dresser - Maintains costume quality during a show. Assists cast members with costume changes. Often primarily used for quick changes.
• Not necessarily a position requiring a college degree, but could use a specific degree in costume design, but as they are more based in organization, a degree in technical theatre would definitely suit this position.

Thank you for reading and learning! Tune in next week for a list of members of the theatre staff.

Please e-mail mackenna.azyoungactors@gmail.com with any questions, comments, or concerns! :) 

Happy New Year!

Hello, everyone!

Hope everyone had a great New Year's Eve and first couple days of 2016! Unfortunately, I experienced a very rocky start to my New Year, but I am getting back on track. I think concentrating my efforts into AYAA will help me work through some of the sadness that came into my life recently.

In any case, I have one interview lined up and will be posting the second post in our job's in theatre series today. However, I just wanted to give a little update about what my plans are for the rest of the year in regards to the website.

Part 1: Continuing Things

• Interviews: I will continue to conduct interviews with young actors around the Valley. These have by far been the most popular posts on the website, so it would clearly be prudent to keep doing them. The next interview released will be from Asher Sheppard, but then besides a few people who I have been waiting for a couple months to hear back from, I don't have anyone else lined up. I will be looking for new people to interview, so if you or someone you know would make a great interview subject (kids and adults!), please feel free to e-mail me at mackenna.azyoungactors@gmail.com or message me through the AYYA Facebook page or my personal page.
• Bedroom Sessions: Thank you to Becca Webb and Sarah Davidson for sharing their talents with us last year. For more information on Bedroom Sessions, info can be found on Becca Webb's submission. If you are interested in submitting a Bedroom Session, e-mail it to me at mackenna.azyoungactors@gmail.com.
• Reviews of Shows: Thank you to Sarah Davidson for sending a review in last year. If you see a show and write a review -- I know a lot of my friends write reviews for theatre classes as school; send them to me! -- e-mail that to me at mackenna.azyoungactors@gmail.com
• Guest posting: Again, thank you to my absolute rockstar Sarah Davidson for her guest post about being in the ensemble last year. A few people expressed interest in being guest poster to me, but I never received entries from them. :( A guest post can be anything as long as it is theatre related. Send them to me at mackenna.azyoungactors@gmail.com. (How many times will I type that e-mail in this post? Who's to say??)
• Auditions + Current Shows: I have been terrible at updating these pages (boo me!) but I will 100% do a better job of that this year.

Part 2: New Things

• Dream Casts: This idea came to me, as if in a dream. I remember sometime either last year or in 2015, there was a big fad going around Facebook where you would get assigned to created a dream cast for a show. I loved that, so I want to to them on this site in two ways:
• Self-submitted: If you have a dream cast for a show, send it to me at mackenna.azyoungactors@gmail.com or via Facebook. MUST BE WITH VALLEY ACTORS, NOT BROADWAY HUMANS.
• Facilitated by me: I will be reaching out to 4-5 actors/actresses periodically. I will give each of them the same show and see the diverse ways they cast the show. I will only be able to ask you if you are friends with me on my personal Facebook. Same thing, it will be with Valley actors, not people on Broadway.
• End of the Year Awards: I introduced this idea in my initial letter opening the website. Starting on June 1st, I will be accepting nominations for a student-run youth theatre awards. I know some people are kind of wah-wah about these group vote awards because of the issues with the Broadway World awards, but I am very militant about being fair and organized, so I hope they will run better. The awards will range from typical ones like Best Musical, Best Director to more fun, silly-goose ones, like Most Likely to Fall in Love with Elf or Most Likely to Kill of a Bunch of People in Hopes of Becoming the Primary Heir to a Family Fortune. More info about that will come in May!
• My other pipe dream: I really would like to do some sort of cabaret with young actors and actresses from the Valley during the summer, but I just don't know how possible that will be. 
• Reviews from me: I realized that I see a lot of shows around the Valley, so I will also start posting my own reviews of shows I see.

Thank you all for participating in the website over the last year and let's make it another great year for youth theatre! Any questions, comments, or concerns can be sent to me via e-mail (mackenna.azyoungactors@gmail.com) or on Facebook.

♥Mackenna Goodrich

AYAA to the Rescue: Jobs in Theatre: Pre-production (1/3)

Hey there, everyone! As the Christmas season comes to a close, I thought it was time for me to do another post about theatre education. Earlier in the year, I did a few posts on education, including a quiz about what theatre major to choose in college, out-of-state schools for theatre, and why it is important to participate in youth theatre.

Today, I wanted to do a post about the diverse theatre personnel. A lot of time when people think about theatre, their minds immediately jump to actors, director, producers, costume designers, etc. Obviously, those jobs are extremely important, but there are other jobs in theatre are essential to the creation of a successful show.

Today, we will be focusing on pre-production. Next week will be production and the following week, theatre staff:

• Theatrical producer - oversees all the aspects of mounting a production. Manages finances and other managerial functions, raises or provides money to back the performance, and helps hire the creative personnel. 
• Although some colleges do offer BFAs for Theatrical Production that teach skills like finances, many producers may major in business, economics or arts management. Even though the producers are working in theatre, their business sense supersedes their creative sense in many instances.
• Director - orchestrates the creative aspects of the production. Unifies all the various creative aspects, such as acting, music, costumes, lights, etc. Helps to realize the artistic vision of the piece. Collaborates with the team of technicians, stage managers, and actors.
• A handful of colleges offer BFAs in Directing, but it becomes more readily available as a degree in the Masters and Doctorate programs.
• Playwright - the person who write the piece
• Some colleges offer degrees in playwriting. Often times, the programs are combined with screenwriting.
• Scenic designer - designs the scenery for the production. Aim to draw the audience in with the visual environment.
• Colleges tend to not offer degrees specifically in "scenic design" but offer broader BAs or BFAs in technical theatre or theatre design. They sometimes fall under theatre production degrees.
• Sometimes referred to as a "set designer"
• Lighting designer - Works with the other technicians and the director. Aims to design lighting that will enhance the atmosphere of the play. Also coordinates technology needed with the stage managers.
• Similar to scenic design
• Costume designer - person who creates the costumes for the theatrical production. Helps to create the characters' images and create balance on stage. Works with the other technicians, includes wig and make up designers. 
• Similar to scenic design, but colleges often offer fashion programs which would also be well suited to a person gaining costuming skills. 
• Sound designer - generates and orchestrates auditory elements of a theatrical production. Usually requires the manipulation of previously generated audio to create or enhance the mood of the piece.
• Similar to scenic design, but sound programs at schools with large film programs can be more common
• Property master - in charge of purchasing, creating or building any props needed for the production. Collaborates with other technicians and the stage manager. Seeks to achieve set continuity (along with the scenic designer). Develops their design during pre-production, but also stays on as a part of the production crew.
• It is highly unlikely a school will offer a program specifically in property mastery/design. However, a technical theatre degree suffices for this job. They really need good organizational skills.
• Production manager - responsible for making the vision of the director and choreographer come true within the technical restraints of the theatre/budget. Coordinates all the technicians.
• A job highly versed in organization. Good to have a degree in technical theatre, theatre production or arts management. However, they also must have a good business and financial sense.
• Technical director - someone within the theatre who makes sure all the technical equipment is functional for a production. Responsible for overall organization of the technical aspects and making sure all tech components run smoothly.
• Similar to production manager, but very versed in technical theatre; should know about all aspects of technical theatre, considered an expert. 
• Show control designer - links together all of the technical operating systems (lights, sound, etc.) Coordinates all technical elements of the show with the given technology. Links together sound, visual and light cues. 
• Choreographer - designers to movement of the actors, usually in a dance setting. Very conscious of the overall aesthetic of the theatrical piece and enhances the atmosphere through human movement.
• Ingrained in dance, so a dance degree would be helpful here. Some colleges are starting to offer BFAs specifically for choreography for the stage and screen.
• Makeup designer - person who designs the make up for the theatrical production. Helps to create the characters' images and create balance on stage. Works closely with the hair and costume designers.
•  Similar to scenic design. However, make up design -- like costume design -- is very specific and although degree programs don't really exist for it, technical programs do, so training in one of these stage makeup programs although not necessarily required is incredibly useful.
• Actor/actress - portrays the characters created by the playwright. Interprets the role, keeping true to the vision of the director. 
• Many colleges offer BFAs in Acting, but a large percentage of general Theatre BAs have acting concentrations as well.
• It is important for actors to understand the technical positions as well.

Thank you for reading and learning! Tune in next week for a list of theatre jobs directly involved in show time!

Please e-mail mackenna.azyoungactors@gmail.com with any questions, comments, or concerns! :) 

AYAA List: Broadway Christmas Songs!

Hey, everyone!

Hope you're having a happy Christmas! (And if you don't celebrate, hope you have a wonderful winter day!)

I absolutely adore Christmastime and although I am not the biggest Christmas music person, I know a lot of folks out there are. So today, I have a list of some of my favorite Christmas songs from musicals! You can find a link to all of these songs AND I've created a Spotify playlist with all of the songs below.

NOTE: If you're looking for a good album of Broadway songs on Spotify, for the past 17 years, the Broadway Cares/Equity Fights AIDS foundation has released a Carols For a Cure album, featuring songs sung by Broadway casts of the hottest current musicals. This year's album includes songs by the casts of Beautiful, Hamilton, Finding Neverland, Matilda, and Fun Home. (The Fun Home song is my personal favorite!) I have included quite a few of the Carols for a Cure songs on my playlist, but be sure to check out the whole thing.

1. "We Need a Little Christmas" from Mame
2. "Snow" from White Christmas
3. "Surbaya Santa" from Songs from a New World
4. "Have Yourself a Merry Little Christmas" from Meet Me In St. Louis
5. "Twelve Days of Christmas" from She Loves Me
6. "Christmas Is My Favorite Time of Year" from Catch Me If You Can
7. "Turkey Lurkey Time" from Promises, Promises
8. "Christmas Bells" from Rent
9. "There is a Santa Claus" from Elf
10. "Christmas Song" from Elf
11. "Sparklejollytwinklejingly" from Elf
12. "A Place Called Home" from A Christmas Carol (Menken)
13. "Ralphie to the Rescue" from A Christmas Story: the Musical
14. "A Christmas Story" from A Christmas Story: the Musical
15. "White Christmas" from White Christmas
16. "A New Deal for Christmas" from Annie
17. "Christmas Lullaby" from Songs for a New World
18. "Christmas Day" from Promises, Promises
19. "Be a Santa" from Subways Are for Sleeping
20. "Counting Down to Christmas" from A Christmas Story: the Musical
21. "Our Finest Dreams" from Little Women
22. "Merry Christmas, Maggie Thatcher" from Billy Elliot
23. "Christmas Makes Me Cry" from Brooklyn
24. "Silent Night" by the Broadway Cast of Smokey Joe's Cafe
25. "Joy to the World" by the Broadway Cast of Hamilton
26. "Home's With You" by the Broadway Cast of Fun Home 
27. "Deck the Halls, It's Christmas/Come Home to Me" by the Broadway Cast of Motown, the Musical
28. "What Child Is This?" by the Broadway Cast of Spring Awakening
29. "Carol of the Boots" by the Broadway Cast of Kinky Boots
30. "12 Days of a Something Rotten Christmas" by the Broadway Cast of Something Rotten!
31. "Carol for the Bells" by the Broadway Cast of Wicked

This is a link to the Youtube playlist: https://www.youtube.com/playlist?list=PL9uPIWuy4iGuCHU1ewxCKZpTPq3A3dxIo

Also, if you want to find the playlist on Spotify, it is called "Merry Christmas from Broadway!" *I couldn't get the widget to work

What's your favorite Christmas musical? I'm partial to Elf. 

Have a very merry Christmas!

Kenna

End of Year Interview Snapshots

Hello, everyone!

Long time, no talk! Starting at the end of October, life became really hectic for me between doing a play at school, rehearsing for Elf Jr. at Actor's Youth Theatre (which was super awesome if you didn't get the chance to see it), finals, college applications, work, making sure I actually eat something, etc. That being said, the site moved to a lower spot on my priority list for awhile. However, I am now in the neighborhood of 85% of the way done with the process of applying for college and on a break from school, so I will have much more time to update the site over these next few weeks (and hopefully months once school starts back up again!)

In any case, over the past five months, I have contacted many students about interviews for the site. In a few instances, the interview didn't come completely to fruition, but they did take the time to answer my questions. However, I still want to give recognition to these awesome teenagers, so I am cleaning out the coffers! So here are some "snapshot" interviews with Jessie Jo Pauley, Adyson Nichols, Joey J Grado, Kale Burr and Marty Loehr!

Jessie Jo Pauley
Jessie Jo is currently starring as the Ghost of Christmas Past in Christmas Carol (Red Cast) at Hale Centre Theatre. After Christmas Carol, she will be playing Purity -- one the angels -- in Anything Goes, also at Hale Centre Theatre. Jessie was asked to interview after her NYA Award for Artist of the Year for her roles in AYT's The Addams Family, Hale's A Christmas Carol, AYT's Footloose, Hale's The Wizard of Oz.

What’s home like? Brothers? Siblings? Parents? Pets?
My mom and dad, Linda and Doug, are the best parents a girl could ask for (you’ll probably recognize my mom if she has her iconic iPad with her!). I also have a younger brother, Nick, who is also quite the actor. He sings, acts, dances, plays football, karate, and parkour. He’s been in a number of shows at Hale Centre Theatre and Phoenix Theatre. He’s good at everything. No joke. And I have two cats!

Favorite show you’ve ever been in? Why?
I have so many favorites.  That is not a fair question. (A/N: Totally a fair question.)  I loved Addams Family at AYT and I met so many of my closest friends in that show.  I also will always cherish my time spent as Dorothy in the Wizard of Oz at Hale Theatre.  You couldn’t ask for a more fun and professional group of crazy actors.

So in the past couple seasons, you have played Snow White, Morticia Addams, Ariel in Footloose, and Dorothy in Wizard of Oz to name a few… A lot of these -- especially Snow White to Morticia -- are very different types. How do you act across type? What are the challenges you faced in playing such a variety of roles?
Ahhh yes. Acting across type! I think the key to acting against type is believing in yourself, that you CAN be evil or sexy or sweet. As long as you truly believe you are that character, others will believe too. The challenges I faced were other people’s expectations of me. I had people say “oh you can’t play Morticia, you’re too princessy” or “well, can you even belt”. These things were frustrating. People only saw me as soprano princess, which is great! Those roles are so fun. I mean who doesn’t love playing a princess! But I wanted to show people that yes! I can play dark! I can belt! I can play funny! I was lucky to get the opportunity to show people another side of me as Morticia. So I say, don’t let anyone tell you your limits! You can do whatever you set your mind to!

How did it feel to get to originate the character of Morticia Addams in Arizona?
I don’t even know if I can put it into words; I felt honored and excited to show people what I could do with this role! Because it was the first production of The Addams Family, I wanted to bring the role of Morticia justice! I wanted it to be a role people will remember me for, and hopefully they do!

Craziest stage experience (mishap, funny improvised joke, etc.)?
I’VE BEEN WAITING FOR THIS QUESTION. During a duet between Morticia and Gomez in The Addams Family, my long wig got stuck on Gomez’s cuff button. It pulled my wig half off and Gomez (Tim Eversole) and I just improvised all through the song. The audience loved it and so did we.

Advice for young performers? Auditions? Behavior? Life?
Audition as many places as you can! The more you’re out there, the better. And just stay positive, don’t let the little things get you down.

Favorite musicals?
Oh gosh, I would have to say Next To Normal, West Side Story, and Heathers ;)

Personal mantra(s)?
“Don’t cry because it’s over; smile because it happened” - Dr. Suess
“I’d rather regret the things I’ve done than regret the things I haven’t done” - Lucille Ball

Performer you would die to perform with? 
I would love to perform with Annaleigh Ashford. I feel like there would never be a dull moment on stage with her around!

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?
I love how many theatre opportunities the youth in Arizona have! We are so incredibly lucky. I also love how when there is a youth show, the cast becomes a family. I do think we can work on keeping the atmosphere positive! There is no need for drama or painful rumors. To keep the youth theatre in Arizona going we all need to support each other rather than bring each other down! Keep the peace :)

Most underrated show?
Wonderland. WHY WILL NO ONE DO THIS SHOW. I WANT TO BE IN IT.

(A/N: It's because the license isn't available... which then begs the question: WHY CAN'T YOU LICENSE IT!!!)

What’s your “adult” plan? Keep performing professionally or…?
This is a hard one. I am currently trying to figure out my “adult” plan myself! I want to perform as long as I live. Theatre is my home and that will never change. I would also love to work possibly in communications, public relations, or journalism, but performing will always be my first choice.

How did it feel to win the NYA Artist of the Year award?

Receiving the NYA Artistit of the Year makes me feel very proud and humble. I work my hardest in every show, so it is so nice to be recognized for it. What makes it even better is that I share the award alongside my beautiful and talented friend Jackie Brecker!

Adyson Nichols
Although Adyson is not currently on the stage, she will be starring as Ella in Rodgers and Hammerstein's Cinderella at Highland High School this spring! Adyson was asked to interview when she starred as Bonnie in the Arizona premiere of Bonnie and Clyde at Actor's Youth Theatre.

When and why did you start performing?
I started performing when I was 12 years old. At this time I didn't really have any friends at school and I felt like I didn't belong anywhere. I wasn't the prettiest, smartest, or most popular girl and I dreaded waking up in the morning and facing a day that didn't seem to hold any joy or meaning. Theatre changed all of that. Being on stage was and is my safe haven. It provided a place happiness excitement and learning. I finally belonged. It gave me the voice to be out going, to make friends, and most importantly to just be me.

Favorite show you’ve ever been in? Why?
Aida was most DEFINITELY my favorite show I have ever been in. I was only in the ensemble but I have never been so close with a cast and been moved by such a powerful story. The bonds made doing theatre are the strongest I have ever experienced. You may have gone to school with the same person since kindergarten but that friendship will never be the same as the ones you make with those you have only been in a few shows with.

Most challenging acting experience? Why?
My most challenging acting experience was when I played the role of Katrina in Sleepy Hollow at AYT. For this character, I had to be evil, conniving, and twisted. It was so difficult for me to play a charter such as that. To be so emotionally connected and to portray a person who is capable of that level of darkness was really tough.

You are playing Bonnie in the Arizona premiere of Bonnie and Clyde. Can you discuss the experience? What are some of the challenges of this role?
Bonnie and Clyde is a HARD show. Not only is it vocal demanding, but it is also extremely deep. The distortions going on inside the minds of the characters as they are constantly trying to reach for something more; something better, is so hard to portray and to channel on stage. But most of all I just don't want to let anyone down. That is my biggest fear when it comes to such a hard role. Nonetheless I am over joyed at the opportunity to be in this show and to do my best to do justice in presenting the infamous Bonnie Parker.

You have been nominated for two AriZonis. One for a play (Legends of Sleepy Hollow) and one for a musical (Footloose). How do you approach plays and musicals differently?
Plays are much much harder for me personally. When it comes to music and singing for an audience, I'm in my element. I just let loose the the pieces seem to slip into place. Straight plays are a different story... I have to work much harder and concentrate so much more deeply in order to lose myself. Bonnie and Clyde is sort of a mixture of the two so I'm hoping that's a good thing!

At Studio 3 Performing Arts, you played Belle this year. How did you make such an iconic character your own?
I wanted to let Belle be Belle. The iconic princess that I always dreamed of being. I wanted the kids in the audience to see that princess that they marveled at in the movie. But I wanted her to be me. In order to do this I had a philosophy. I'm still me on stage. I haven't become another person. But I have taken their motives upon myself. I had to this about what belle wanted and how she was going to get it, and how to present that in a way that would be the classic princess and be real and original in my own way.

What is playing the Mistress in Evita like? How is it different from roles you have played before? Do you enjoy working with an adult cast?
Playing the mistress was VERY different. The whole story line of evita is interrupted by this young girl lost and afraid of where she will be next. It was wonderful to have that one little song to call my own and then to watch as the rest of the story unfolded. It was different from other roles in the way that it was so innocent, soft, and refined. I couldn't just belt my face off and jam out like I normally do. I had to sit back and let myself be the innocent girl singing from the heart. Working with an adult cast was very strange to me especially being used to being one of the oldest in that cast. It was interesting to see the behind the scenes of the way adults handle the same stuff us kids do while performing and back stage.

Favorite person you got to play opposite of this past year? (Romantically or otherwise)
No doubt this would be Dallin Urness. He is currently serving a mission in Chicago but he will never stop being my Willard no matter how far he is.

Craziest stage experience (mishap, funny improvised joke, etc.)?
When Jared Kitch dropped his phone in the middle of a scene during sleepy hollow and did a stomp Michael Jackson spin move to kick it off stage. All the while I had to be straight-faced and unamused.

What is your go-to audition song? 
I know the truth from Aida. Every time.

Advice for young performers? Auditions? Behavior? Life?
Never ever give up, and just have fun. Don't get caught up in the drama or competitiveness of theatre do it because it makes you happy. And ALWAYS be super happy and bubbly in auditions. I know a girl who gets cast every time just because of how enjoyable she is to be around.

Favorite plays?
The crucible and All my sons. Just Arthur Miller in general.

Secret guilty pleasure?
To try to be Christina Aguilera in my room when no one's home.

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?
I feel as if the atmosphere has changed since I have gotten older. There is so much competition and drama that comes along with a big group of people all trying to get to the top. I feel as if we need to improve our outlook upon what we are truly here for. What we are really trying to accomplish with all those weeks of rehearsals and why we step onto that stage.

Joey J Grado
It's ya boy!! Joey is currently playing Peter Cratchit/Sled Boy in Christmas Carol (Green Cast) at Hale Centre Theatre. Next, Joey will be returning to youth theatre to play Beadle Bamford in Sweeney Todd at Actor's Youth Theatre. Joey was asked to interview while he was playing Clyde opposite of Adyson Nichols at Actor's Youth Theatre in Bonnie and Clyde.

Full Real Legit Name  
Joseph Jackson Grado

What’s home like? Brothers? Siblings? Parents? Pets? 
 I have one sister by blood who is turning 22 this month, two step-sisters ages 4 and 13, and three step-brothers ages 4, 6, and 11. I have a dog named Guedo

When and why did you start performing? 
I began performing at the age of 11 as a Hip Hop artist. At the age of 14 I began musical theatre when my choir teacher convinced me to audition for her show.

Please explain your Twitter name: @joeyjtherapper 
I have been a rapper since the age of 9. I still write original music and rap when I’m not on stage acting.

What has your experience at Hale Theatre been like? You played Young Terk in their production of Tarzan. What were the challenges that came with that role? What was it like working with an adult cast?
Working with Hale Theatre has been such a cool experience for me. I have learned so  much about performing since then and also about musical theatre in general and I’m extremely lucky to have been given that opportunity. Young Terk was such a fun role for me to play because I got to jump around like a gorilla and swing on vines onstage. The most challenging part of that role would have to be the physical conditioning that came with it. Swinging upside-down and singing Phil Collins isn’t as easy as it looks. As far as working with an adult cast, I’m so happy I was able to be apart of it and they helped me grow as an actor and performer.

Outside of acting, do you have other interests in the theatre world? Directing? Lights? Sound? Choreography? 
I would absolutely love to try directing! I do sound design and operation at AYT when I’m not performing and I would love to learn about lighting. I’m obsessed with the technical side of theatre just as much as the performing side. Choreography sounds like a lot of fun. we’ll see what the future holds!

Right now, you are starring as Clyde in the Arizona premiere of Bonnie and Clyde. Clyde is also your first big leading role. What are the challenges with this show?
Clyde is such an intense and emotional character. The things that he went through during his lifetime are so horrible and sad and bringing out that anger and hatred towards the world that he had are definitely a challenge because I like to think of myself as a pretty happy person. I’m hoping I can make it real on stage.

Favorite person you got to play opposite of this past year? (Romantically or otherwise)
Bryson Holl as Young Tarzan was so much fun. He became like a little brother to me.

Craziest stage experience (mishap, funny improvised joke, etc.)?
During Tarzan we had a piece of fruit hanging from a branch that Young Tarzan would knock off the branch with a stick. Some nights he wouldn’t be able to knock it down so we would always have to improvise it.

Favorite costume you’ve ever worn? Least favorite? 
In Footloose at AYT, I got to wear the leather Billie Jean jacket as a Chicago kid. My least favorite would have to be my flower costume for Tarzan. I looked like an eggplant.

Advice for young performers? Auditions? Behavior? Life? 
Don’t let people bring you down! There’s a lot of unnecessary drama in theatre and you can’t let that get to you! Just go out and have fun! For auditions, go wild. Be yourself, and don’t be afraid to be absolutely crazy. For life, find your wings and fly!

Musical/play on Broadway currently you’re dying to see?
Something Rotten! and Hamilton

Performer you would die to perform with? 
Norbert Leo Butz

Upcoming projects?
I’m working on some original music that I would like to put out within the next year or so.

Young actor/actress in the Phoenix area you'd love to perform with

MASON REEVES IF YOU’RE READING THIS I LOVE YOU


Kale Burr
Kale Burr is not currently on the stage, but he will be making his Hale Centre Theatre debut in February as a part of the ensemble in Anything Goes. Kale was also apart of Bonnie and Clyde at AYT as Ted Hinton.

Full Real Legit Name
Kale Aaron Burr

(A/N: For all you Hamilton fans out there, I guess if part of Kale's name is "Aaron Burr," he shot Alexander Hamilton.)

What’s home like? Brothers? Siblings? Parents? Pets?
I have two brothers and one sister. My brother, Riley, is the one who started this crazy journey. My sister and I followed in his footsteps. My parents just recently performed in their first show, Pirates: A Love Story, which I had the pleasure of performing a year prior. I love my family with all my heart! They’re all so amazing!

Most influential show you ever saw? Why was it so influential?
Big Fish. My grandpa died of cancer back in December of 2014 and he was almost the exact same at Edward Bloom. It made me appreciate all of his crazy stories and realize that we should be grateful for the time we have with our loved ones.

Most challenging acting experience? Why?
I’d have to say either Hamlet or MacBeth. I’d say MacBeth because we did the full unabridged version and I played five different characters. I had to find a way too physically and mentally separate all those characters, which in the end turned out to be really fun and rewarding.

A lot have theatres have been doing Footloose and you played Ren recently. How did you approach such an iconic character? How did you make him different that other incarnations of Ren? What were your biggest challenges in playing the role?
My one goal with this character was to just go crazy and have fun. That’s who Ren McCormick is. I tried to show the transformation of the character throughout this show. My biggest challenge was singing high and dancing fast at the same time. That was crazy. But it kept me in tip top physical shape so I can’t complain. I also tore my ACL during the run of the show, even though I didn’t know it at the time. It wasn’t a challenge during the show, but has been ever since. Totally worth it though. I had such a blast and wouldn’t trade that experience for the world!

Can you speak to Pirates: A Love Story a bit? What’s it about? What made it such an amazing show? 
In a way, it is sort of like the pirate version of Les Miserables. It’s about a man named Benvolio Beecham, his evil brother, Malcolm Beecham, his fiance, Julianna Fenton, and the female pirate captain who is in love with him, Bloody Imogen, and the series of events and conflicts that follow. I believe it was such an amazing show because 1) the cast was phenomenal, and 2) it was and original musical with amazing music, which can sometimes be rare, especially with youth theatre.

Last year, you were nominated for an AriZoni for your portrayal in Hamlet in Actor’s Youth Theatre’s Hamlet. What made AYT’s production of Hamlet different that the one’s most people are familiar with?
We did a modernized version of the show without all the crazy Shakespeare language.  It was set in a 1920’s Russian circus. It was pretty freaking cool.

You are playing Ted Hinton in the Arizona Premiere of Bonnie and Clyde. What has that experience been like? 
It’s been a blast! I’ve had a good time creating this character who is conflicted with his job (killing Bonnie and Clyde) and his love for Bonnie. This is the first time I’ve been apart of a premiere, and I hope that we can set a high standard.

Dream role? Dream role of the opposite sex?
Gabe in Next to Normal, Eva Peron in Evita

Best youth production you have ever seen?
Probably Les Miserables when AYT did it in 2011.

What is your go-to audition song? 
Either Extraordinary from Pippin or Santa Fe from Newsies (I’m embarrassed)

Favorite actors and actresses? Stage? Screen?
Johnny Depp, Ramin Karimloo, Mandy Patinkin

Performer you would die to perform with? 
Julie Andrews

How do you feel about the atmosphere of youth theatre around Arizona? What do you like about it? What do you feel like can be improved?
It’s amazing!! One thing that can be improved is the amount of judgment and rumors that are spread. There should be less of that.

Most underrated show?
Big Fish

Martin Loehr
Martin is best known for his work at Studio 3 Performing Arts Academy, where he played roles like Trevor Graydon in Thoroughly Modern Millie, Kyle in Legally Blonde, Mr. Feldzieg in The Drowsy Chaperone, and Fester in The Addams Family. Martin was asked to interview after his AriZoni Award for Fester. 

When and why did you start performing?
My mother put my older brothers in dance classes, I was no exception. I took my first tap class at the age of 3. After 9 years of moving from dance studio to dance studio competing dance competitions , My brother decided to open up a studio of his very own.

After my brother left his teaching job at another studio do to “artistic differences,” he decided to open up Rhythm Soled. A place to provide affordable dance lessons to neighborhood children. His goal was to make dancing accessible for anyone and everyone. All he asked was a mere $5 a class, and I joined his ranks.

There I took tumbling, jazz, ballet, modern, martial arts, acting, voice and of course tap classes. I even met one of my best friends to this day Jessica Webb at the studio and she quickly became my dance partner.

Now Dustin’s new studio wasn’t fancy. In fact, he ran it out of his then girlfriend's parent’s garage. But he had a mirror, a floor, and a dream, and that's all you really need. There I really learned all the skills required to succeed in performing.

But all good things come to an end eventually. After Dustin and his girlfriend broke up, the dance studio fell under, Jessica and I parted ways, and I had nowhere to dance. I stopped dancing for two years.

Throughout my entire life I’ve always loved musical theatre. I’ve been known to sing (quite loudly in fact) around the house, and I’ve always done little school shows every now and then. But my first “real’ show came in the form of a phone call.

I was about 14 at the time when Dustin called. “Hey…. Do you want to be in a show? It’s with a community theatre, and they really need boys.”

Before I knew it I was part of the ensemble cast of “Bye Bye Birdie” at Mesa Encore Theatre (MET). There I performed alongside local community theatre legends and I loved it. I loved performing in “Bye Bye Birdie” so much I didn’t hesitate to be apart of their next show, “The Music Man.” And “The Music Man” changed my life.

If you’ve ever seen “The Music Man,” you know that there are a lot of kids in that show. To get the quantity of children required in order to make the musical successful, MET partnered up with “Studio 3 Performing Arts.” Amongst the Studio 3 kids was my old dance partner Jessica. Since I haven't seen her in two years, you could imagine how awesome that was.

To bring this long story to a close, Jessica convinced me to join Studio 3, I took tap classes again, and doing shows there became my life.

First show you ever saw?
The first show I ‘remember’ seeing was a Jr. High Drama club production of “Zorro.”

First Broadway show you ever saw?
Newsies

Most influential show you ever saw? Why was it so influential?
Probably the off-Broadway production of “Avenue Q. Though being HILARIOUS, “Avenue Q” is influential because it teaches the audience life lessons. It teaches the audience that growing up and being an adult will not be easy.It teaches the audience that nothing is permanent, and everything is temporary. I find that so important.

Favorite show you’ve ever been in? Why?
My favorite show I’ve ever been in was probably “The Drowsy Chaperone.” That was one of my first shows I’ve ever done at Studio 3, and there I made life long friends. Plus, playing the badass gangster Victor Felzieg was great.

Most challenging acting experience? Why?
My most challenging acting experience I’ve ever had was when I understudied three roles in “The Little Mermaid Jr.” I understudied “Chef Louie,” “King Triton,” and “Scuttle.” I even had to perform “Chef Louie” and “Scuttle” in one show!

You won an AriZoni Award this year for playing Fester in Studio 3 Performing Arts Academy’s production of The Addams Family. What was that experience like? How does it feel to win a Zoni?
I feel so honored to have one a Zoni for my portrayal of “Uncle Fester” in The Addams Family. Uncle Fester was definitely my most memorable role. He was crazy! Having the opportunity to play him will forever be a lifelong memory. I only wish I was able to go to the award ceremony. I was in D.C. at the time.

(A/N: Martin is currently studying to be a veterinarian and was in DC for a fancy schmancy conference. He's very successful outside of the theatre world, too!)

Throughout your career, you worked extensively with Studio 3 Performing Arts Academy. What were your experiences like there? Any advice for someone auditioning there?
My experiences there were fantastic. Of course there were ups and downs, but you’ll have that with any place you decide to perform with. My only advice I would give to someone who is auditioning there is to be yourself. I find genuineness to be an extremely lacking trait, especially in theatre. If you are your true self, you fill find that you’ll go far in not only Studio 3, but in life in general.

You’re a pretty swell tap dancer. What do you think is so unique about tap? Why do you think it isn’t as practiced as it used to be?
I’m a swell tapper? Thanks! Haha.
Tap dancing is so unique because you're not just a dancer, you’re a musician. You are making beautiful noises with your feet, and that is a hard thing to do. Which brings up the answer to the next part of your question.
The reason why tap dancing isn’t as popular as say, ballet, is because it is so hard. If you mess up in a jazz or ballet dance, odds are the audience will not even notice, but if you mess up in a tap dance number, your audience hears it. No other dance type can say that.


Thank you to everyone who did an interview this year! If you want to read more, feel free to go back and read full-length interviews with Denise Simon, LJ Deacon, Sam Primack, Julia Davis, and Jacqueline Brecker.

If you are interested in doing an interview or know someone who you think I SHOULD interview, e-mail me at mackenna.azyoungactors@gmail.com or on Facebook.

If you are interested in being a guest poster, submitting a review, submitting a Bedroom Session, or if you have any questions, please feel free to send me an e-mail.

If you are a theatre interested in posting audition notices or creating a contest on the site, shoot me and e-mail or message me on Facebook.